TenMiles of Peach Blossoms 三生三世十里桃花 - episode 1 sub indonesia. Vianisty. 575 views · August 23, 2020. Related Pages See All. Vyanisty Singapore. 1,595 Followers · Musician/Band. Arlida Putri. 101,209 Followers · Public Figure. Channel musik. 3,544 Followers · Personal Blog. Thereare two adaptations of Ten Miles of Peach Blossoms 三生三世十里桃花 and both are based on the popular yet controversial novel by Tangqi Gongzi 唐七公子. Its good to relisten to old songs for the sake of reminiscence. Petula Clark - Love Is A Long Journey. He recalls the summer he spent with her twenty years ago. Nontonatau download Drama Korea BosCinema21 Ten Miles of Peach Blossoms 2017 di BosCinema21. Inidramaku yang menyediakan Drama Korea Sub Indonesia There are currently 12256 movies on our website Vay Tiền Trả Góp Theo Tháng Chỉ Cần Cmnd. Ongoing Ten Miles of Peach Blossoms Authors Tang Qi Hot 43 views Following 32 followers Through the course of unlikely coincidences, a man and woman meet again and again in three different lives. What will become of their love in the world of the immortals? Alternative Eternal Love; San Shi San Jie Shi Li Tao Hua; Three Lives, Three Worlds Drama Fantasy Josei Martial Arts Romance Shoujo Start Reading Follow Share Feedback Story Acting/Cast Music Rewatch Value After having watched it, I can understand why this movie is receiving a lot of flak from its viewers. STORY No spoilersAs a stand-alone movie, the way the story was told was choppy and incoherent - there was often little connection from one scene to the next, and from one character's actions to the next - so the viewer is often left confused and disoriented with what is happening and why the characters are behaving the way they do. Therefore, in terms of story-telling, this movie falls down pretty hard. For those who don't know the story behind the movie beforehand, the film would come across not making much sense, which, I can imagine, would be a pretty disturbing and disappointing watch. Those who do know the story beforehand are generally able to fill in the blanks and insert all the backstory in between scenes but even speaking as someone who knew the backstory beforehand, I still found myself trying to figure out what was happening on screen and where the scene fitted in within the whole. It was terrible because your mind is having to adjust and place the characters and circumstances in the right place as each scene flashed by so you're always playing catch-up and whatever emotional connection you had with the characters ends up getting lost. You're no longer feeling the story or the characters any longer, you're playing catch up to what's going is worth noting that as the movie attempts to condense and reduce a very lengthy story into a 2-hour telling, the production team naturally had to make some changes to some characters and events which will inevitably differ from the original source material. While this is entirely understandable, it can also hamper the watch experience because in addition to the 'playing catch-up' process, the viewer is then also having to make sense of the changes within the movie-context in itself. I personally found some changed plot-lines and new scenes baffling and bizarre, and to this day, still have no real idea why certain things happened, or what the director was trying to tell. A good example was the way the movie ended - haphazard, chaotic, baffling and bizarre. In terms of pacing, the film was rather inconsistent. Some scenes were given plenty of space and air-time while other scenes flashed by so quickly that just before the viewer had time to absorb who was on screen and what was happening especially for those having to read subtitles, it has ended and you're confronted with a completely different and new scene and your mind is having to adjust from the whiplash. It made for a very scattered and disconnected viewing experience and I can't help but think that if the director or editor had spent less time dwelling on certain scenes e,g, the long pan and introduction into Qing Qiu being one of them, there might have been more time to allow other scenes to breathe better. I also found myself wondering why the director chose to use or dwell on certain scenes which do not really add value in advancing an already fast-moving plot there was an extended sequence of Ye Hua cooking for Bai Qian let's not even go into how that scene was depicted. Precious minutes spent on a cooking class when there is still so much ground to cover. ACTING/CASTThe choppy incoherent story-telling and inconsistent patchy pacing issues probably did not help maybe even compounded to the perception of underwhelming acting from the cast. Characters were not given enough time to establish their roles and personalities what more for them to show us their evolution throughout the movie. As a result, it made it difficult for the viewer to understand their motives and their actions as the movie progressed. With the lost emotional connection, it is easy to pan the actors/ actresses for bad portrayals of their characters. Perhaps some of it can be put down to lacklustre acting ability, but I do also believe that another part of it was down to poor scripting of the characters, and to poor directing and editing of the movie. Yang Yang and Crystal Liu were suitable for their roles - looks-wise. I thought Crystal was serviceable as Bai Qian but some key scenes which required her to exercise her haughty authority as the Queen of Qing Qiu did not have as much impact as I would have hoped for. Yang Yang portrayed a rather different Ye Hua from the original source material in terms of personality and attitude. Some viewers might enjoy this fresh take on Ye Hua's character, while others like myself might have found it off-putting and borderline disturbing. The rest of the supporting cast had too little airtime to really provide them with proper personalities therefore a lot of them came across as one-dimensional, one-note characters with a very set purpose to fulfil in advancing the plot along. They were there to do this, or do that, or say this, or say that, and their job was essentially done. MUSICAs I was too focused on trying to follow the plot and the happenings on-screen, I had very little time to appreciate the music score, except during that long pan of Qing Qiu. RE-WATCH VALUEUnfortunately, all things considered, I have to say that it was an unpleasant watch for me. There was very little I enjoyed or liked about this movie, therefore a re-watch is not even a consideration. Read More Was this review helpful to you? 'So glad I persevered with this series as the story started to get specially interesting for me in Episode 11. This is not to say that I found the first 10 episodes boring because they're not - they set the stage for the rest of the series. But it was in Episode 11, when Ye Hua Mark Chao and Su Su Yang Mi first meet, that the magic hit home for me. Their every interaction is precious. Even their exchanges when he is in dragon form are endearingly hilarious, like when he thinks, "How dare you!" when she kisses him and he forces himself to swallow the raw meat she is feeding him so she would not kiss him Hua is simply beautiful. Sure, the actor is handsome, but it is his manliness, depth, intelligence, wisdom, elegance, sincerity, strong sense of justice and most of all, love for and faithfulness to one woman that captivates. Another enchanting quality is his sense of humor that seems to be triggered only when he is with her like at the end when he is reminiscing their times together. Mark Chao did an exceptional job perfectly portraying such a compelling character. Yang Mi also did a great job as Bai Qian/Si Yin/Su Su, though I'm not too impressed with the character's fondness for wine to the point of severely affecting her emotions and decisions. Gosh, I'm sounding too attached to the characters. This is how powerful the hold this series has on its admirers. This is why I gave it a 10/10 even though the CGI is not perfect - the emotional attachment is off the love story is indeed beautiful but it is the top-notch acting that raised this drama to a level of quality befitting its exalted position as the most watched Chinese TV series of all time, with over 50 billion views as of August Watching the series a second time was an even more satisfying experience. I felt the magic from the first episode. Every scene between Mo Yuan and Bai Qian/Si Yin simmers with affection, with the mystery of "does he love her as a disciple or a woman" adding to the enchantment, if not poignancy, of the story. And now that I'm well aware of the significance of the golden lotus Jin Lian, Ye Hua's attachment to Si Yin/Su Su/Bai Qian takes an even deeper meaning. A truly remarkable, beautiful, wonderful, mesmerizing series.

ten miles of peach blossoms sub indo